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Settlement is a conceptually-driven event, collaboratively conceived and produced by Native American artist Cannupa Hanska Luger and Plymouth-based collective theconscioussisters. This radical Indigenous-led performative encampment supports a wide range of Indigenous artists from across North America to occupy Plymouth’s Central Park in the United Kingdom for four weeks from July 6-August 7, 2020 during the quadricentennial commemoration of the Mayflower voyage.

A settlement is an official agreement intended to resolve a dispute or conflict. It is also a previously “uninhabited” place where people establish a community. These two terms come together to inform a project that questions the appropriateness of both. Situated within a massive cultural festival remembering the historic voyage of the Mayflower, Settlement reasserts the presence and perspectives of Indigenous people. Through newly commissioned performance, social engagement, site-specific actions and ephemeral interactive installations, Settlement artists will investigate and interpret their lives as the survivors of settler colonialism. The project goes beyond conversations around decolonization and actively practices Indigenization. Settlement in turn aims to support settler ancestors in moving towards a more relational understanding and acknowledgement of contemporary Indigeneity.

Settlement is the only Indigenous-led project in the Mayflower 400, a year-long multi-national cultural program which commemorates the 1620 voyage of the pilgrims to the ‘New World.’ Settlement is designed as a creative response to the colonization of North America, reclaiming public space to consider its roots and impacts. It creates space and time to address questions and traumas -- for our own healing as Indigenous people -- and presents a radical and complex living example of Indigenous people today.

Artist Cannupa Hanska Luger has invited over 25 artists from various North American tribal nations and into the Pacific region to occupy Central Park in Plymouth, UK. Each of the invited artists is developing work that explores colonialism and its effects on Indigenous people, working with Luger and other Settlement artists over the course of a year to develop and produce their ideas. Invited for one-week intervals throughout the project’s month-long run, the artists will overlap with Luger and several others so as to live and work together on-site in a large-scale installation of public art. In addition to the Central Park encampment, each artist will produce a performance, workshop or lecture for a satellite venue elsewhere in Plymouth. A four-week long public engagement program will promote and present this series of workshops, performances and talks. Within the larger year-long, multi-national Mayflower 400 quadricentennial commemoration, Settlement is a radical Indigenous-led arts festival, model for practicing indigenization, and a groundbreaking way to link communities across the globe.  

Who is involved:

Over 25 artists will populate and activate the Mayflower 400 event over one month through Settlement. The artists are all Indigenous, with practices ranging from installation, performance, sound, VR, video, poetry, dance, social engagement and immersive theater. All artists will live on-site for one week and work together to produce new artworks to assert the presence and perspectives of Indigenous people, both in Central Park and in satellite venues.

  • Dakota Alcantara-Camacho (Matao from Låguas yan Gåni)

  • Jade Begay (Tesuque Pueblo/ Diné) & Stina Hamlin (Cherokee)

  • Raven Chacon (Diné)

  • Nanibah Chacon & Autumn Chacon (Diné)

  • Dayna Danger (Metis Federation of Manitoba)

  • Jeremy Dennis (Shinnecock Indian Nation / Hassanamisco-Nipmuc)

  • Demian Dinéyazhi ́ (Diné)

  • Yatika Starr Fields (Osage, Muscogee Creek, Cherokee)

  • Nicholas Galanin (Tlingit, Unangax)

  • Haley Greenfeather English (Red Lake and Turtle Mountain Chippewa)

  • Raven Halfmoon (Caddo Nation of Oklahoma)

  • Sterlin Brown Harjo Jr (Seminole/Muscogee Creek)

  • Elisa Lorraine Harkins (Muscogee Creek and Cherokee)

  • Emily Johnson (Yup'ik)

  • Sonya Kelliher-Combs (Iñupiaq, Athabascan)

  • Ian Kuali’i (Kanaka Maoli/Native Hawaiian, Apache)

  • Dylan McLaughlin (Diné)

  • Laura Ortman (White Mountain Apache)

  • Katherine Paul (Swinomish / Iñupiat)

  • Eric-Paul Riege (Diné)

  • Christine Howard Sandoval (Obispeño Chumash)

  • SANTIAGO X (Koasati (Coushatta Tribe of Louisiana) / Chamoru (Indigenous of Guam U.S.A.))

  • Rory Erler Wakemup (Boise Fort Band of the Minnesota Chippewa Tribe)

  • Marie Watt (Cattauragus Territory Seneca Nation of Indians, Turtle Clan)

  • Kathy Elkwoman Whitman (Mandan, Hidatsa, Arikara)

  • Tania Willard (Secwépemc)

Artist Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, Lakota) generates Settlement’s guiding concepts; curates, designs, and builds the site in collaboration with Plymouth makers; lives on-site in Central Park for one month; supporting invited Indigenous artists and the production of their work.

UK organizer: Fiona Evans, theconscioussisters
US organizer: Ginger Dunnill, AHA Festival of Progressive Arts, Broken Boxes Podcast


Why your support is critical:

  • The funding goal is $187,000; we still need to raise $85,000.

  • Because the Mayflower 400 cultural program commemorates the 1620 voyage of the pilgrims to the "New World", it is paramount that we as Indigenous people step in to direct our own narratives.

  • Your donation and support for the project will allow the 25+ selected Indigenous artists to be awarded $4,000 total for 1 week of participation, to be used as follows:

    • $2,000 honorarium to live onsite for 5-7 days and present an artwork, engagement or performance in Central Park, while offering support for other onsite artists as applicable, and to present one satellite engagement, elsewhere in Plymouth.

    • $1,000 stipend for pre-production costs/development of their proposed work

    • $1,000 travel stipend to support roundtrip airfare to London UK and train ticket to/from Plymouth UK

A tax deductible donation can be made through Fractured Atlas

THANK YOU for helping Indigenous artists activate this historic and historicizing event!

Share this call for support with members of your community who may like to support this work, shareable links: and

As part of Mayflower 400, Settlement has been in a phase of research and development since 2018. Producers on both sides of the Atlantic are working together to generate resources for this important and timely project. R+D funds have been raised from Arts Council England and the Mayflower 400 Cultural Fund. Artists have committed, venues secured, and money is continually being raised. In order to bring this many Indigenous North American artists to Plymouth, theconscioussisters have secured £30,000 from Mayflower 400 Cultural Fund and are working with the Plymouth Arts Council to provide a matching grant for any funds raised through US outreach. Cannupa Hanska Luger is committed to raising $85,000 to cover all artist fees for this portion of the quadricentennial. Funds raised will be used in full to support the Settlement artists’ travel, stipends, and production needs. Your support will go directly toward Indigenous artists as they set sail for Plymouth to Indigenize a celebration of colonialism.

Settlement is a sponsored project of Fractured Atlas, a non-­profit arts service organization. Contributions for the charitable purposes of Settlement must be made payable to “Fractured Atlas” only and are tax-deductible to the extent permitted by law.